LILLY: What is the point of a queer band (a femme band) taking themselves out of spaces entirely when there is no representation in the industry for that? Say you’re on a festival bill with someone problematic—we didn’t do anything, so why should we take ourselves out of the equation just because of the actions of a man? Why should queer people and women suffer for men’s actions in the workplace more than we already do?

Determined to spread their message to a wider audience, Lambrini Girls are firmly positioning themselves at the intersection of increasing their music’s appeal and upholding their core values. While no, it’s not naturally punk to court mainstream audiences, this band is also aware that no progress can be made by building an echo chamber of politically active fans.

Enter Who Let the Dogs Out: a collection of vibrant songs that encourage a wider range of listeners to consider the issues they’re confronting. Sandwiched between songs addressing political observations and biases in the music industry (such as their track Filthy Rich Nepo Baby) are moments of true vulnerability, including Special, Different. Both artists contribute to Lambrini Girls' sound independently. Each song becomes a work that resembles Frankenstein’s monster, where completely unique limbs are stitched to fit a creation of both Lilly and Pheobe’s design.