The ImPossible Family Reunion in RPG Space Chapter 4: Looking Back to Look Forward to Look Back Again
“In Afrofuturism, we’re always talking about using the imagination to create new futures. But what makes Afrofuturism different from other takes on futurism is an emphasis on using imagination to also reimagine the past … It engages alternative views of looking at time, with the future, past, and present being one.” (Ytasha Womack, 2018)
‘The ImPossible Family Reunion in RPG Space’ series is a narrative of hope and belonging, a product of Afrofuturism. Through this lens, I reimagine my family members as characters in limitless realms, visually guided by the fantasy worlds I immersed myself in as a young person.
In the 18 months since the series’ debut, it has become increasingly important for me to dissolve the delicate veil between the outwardly hopeful narrative and the darker past that often fuels the need for hope. By weaving in more of my personal experiences and my family’s shared history, I aimed to provide deeper context and offer a more authentic reflection of reality. As a result, this collection wasn’t just an exploration of fantasy and futurism but a deeper inquiry into the reasons behind why these themes exist —
the underlying pain, the drive for escape, the scars left behind, and the hope for healing. This synthesis of past and future, reality and fantasy, pain and hope, defines the essence of this collection, offering both a vision and a reflection, a dream and its roots.
Previously in the ‘The ImPossible Family Reunion in RPG Space’ series, for the Challenge the Fabric Award in May, we presented Elliot — a character based on my older brother — who had just returned from a journey back in time. Bloodied, distressed, and battered, he had confronted and reconciled with his past self. The collection we’re showing today shifts focus to the rest of the family, now ready to follow in his footsteps, united by the necessity to face their own histories and preparing to embark on their own journeys of self-discovery and reconciliation. Throughout the development of this collection, our visual references have expanded, drawing from both prehistoric and present natural life. This shift is reflected in our fabric choices, with garments feeling more naturally fluid than in previous collections; though still primarily made from white deadstock fabric, revived through in-house manipulation and dyeing. Though the collection began with a darker narrative, the construction outcomes are often both strange and humorous; as improved pattern cutting allowed for more realistic character-to-garment conversions. This season, we’ve also introduced womenswear, emphasising freedom of movement and expression that is in the line with the menswear world we’ve built so far.
Up until now, we’ve only been able to share our ideas in 2D, on a screen. This time, we aimed to design this presentation as a complete experience, thoughtfully exploring every element that could help to bring our fantasy to life. Take RuneScape — on the surface, it may seem like just a game with dragons and shields, but reveals a whole rich world to explore once you’re immersed. We wanted our presentation to have that same depth in going far beyond what you see of us on the screen. It’s not just about the clothes; every aspect has been crafted to convey the world we live in every day as we create. The floors, ceilings, and walls of the space are all made from textiles we developed in-house, using deadstock fabrics hand-dyed, sewn, and distressed by our team, which will later be repurposed into garments. The sets, too, were designed in-house, with details like toucan fish in the Forest set, mythical creature hides in the Learning set, and weapons made from studio waste in Combat — all carefully considered to bring our world to life. Accessories and footwear are uniquely designed for each character, while the sound design is beautifully crafted to reflect the feeling of each set and the overall story. We collaborated with talented actors and a wicked theatre director to bring these characters — inspired by real people — to life. Watching them interact with each other and the set, expressing childlike joy as they explore our world, has been a truly special aspect of this project.
What makes this collection most special is the team behind it. Designing versions of my family members with a team has been an unusual experience, with each person forming their own relationship with the characters, causing the story to evolve along with them. The immense care and attention given to each character are a testament to the team’s dedication. This collection, born from many minds, backgrounds, and techniques, represents a refined evolution — from the research to the patterns, materials, and presentation, it’s a constant progression, balancing my vision with many brilliant minds that are creating by my side, and it feels like the beginning of something strong. A foundation we’ll continue to build upon. We are incredibly proud to share this Chapter with you, and if it inspires even one person to create and express themselves freely, we’ll consider it a success.
Words Courtesy of YAKU
Images By: Ines Bahr